Being in Voice is a unique training system devised by Flloyd Kennedy to produce a vibrant and embodied voice for performance, allowing you to express yourself freely, comfortably and confidently. This program is suitable for anyone who wishes to develop a strong, flexible, effective speaking voice.
For actors, this means being alive and working in the moment, keeping the performance fresh and different every time. It is essential to prepare well in advance, giving yourself - and your muscles, time to be fit, flexible and truly embodied.
Flloyd is based in Brisbane, Qld, Australia.
For actors, this means being alive and working in the moment, keeping the performance fresh and different every time. It is essential to prepare well in advance, giving yourself - and your muscles, time to be fit, flexible and truly embodied.
Flloyd is based in Brisbane, Qld, Australia.
To train the voice is to train the actor, since the actor IS the voice
Being in Voice educates you in the maintenance of a healthy, flexible and engaging voice as you develop your communication skills, and your creativity as a performing artist.
Being in Voice provides specific private and group programs for professional speakers wanting to create exciting and engaging presentations and performance.
Being in Voice provides specific private and group programs for professional speakers wanting to create exciting and engaging presentations and performance.
The voice is the whole actor: body, mind and spirit.
"Thank you also for having me back, your classes were wonderfully inspiring as always!"
"If you live in Brisbane join up!! It’s the most fun and beneficial thing an actor can do for voice, imagination and body!"
Being in Voice is for everybody who cares about, or is curious about their vocal potential. In particular, this work is vital for all voice professionals: actors, singers, lawyers, teachers, ministers - anyone who uses their voice to express themselves and to communicate through spoken language.
The human voice is my passion. The vocal sound humans create in their bodies and shape into the conventions of language is the audible sound of the unique self. Dynamically, physically, embodied voice work is the means whereby we connect with each other's humanity..
Check out the Blog for regular ponderings and insights into all things voice and acting.
"I have been working with Flloyd for about 2 years (on and off) and enjoyed it immensely. I find her approach to teaching acting very challenging but extremely rewarding. I have found that I have a lot more confidence in my abilities since working with her on my craft and my voice. I have since auditioned for a singing part in a play that I would not necessarily go for and have been offered that role. I recommend working with Flloyd because you will get results."
"If you live in Brisbane join up!! It’s the most fun and beneficial thing an actor can do for voice, imagination and body!"
Being in Voice is for everybody who cares about, or is curious about their vocal potential. In particular, this work is vital for all voice professionals: actors, singers, lawyers, teachers, ministers - anyone who uses their voice to express themselves and to communicate through spoken language.
The human voice is my passion. The vocal sound humans create in their bodies and shape into the conventions of language is the audible sound of the unique self. Dynamically, physically, embodied voice work is the means whereby we connect with each other's humanity..
Check out the Blog for regular ponderings and insights into all things voice and acting.
"I have been working with Flloyd for about 2 years (on and off) and enjoyed it immensely. I find her approach to teaching acting very challenging but extremely rewarding. I have found that I have a lot more confidence in my abilities since working with her on my craft and my voice. I have since auditioned for a singing part in a play that I would not necessarily go for and have been offered that role. I recommend working with Flloyd because you will get results."
Tara shares her first experience of voice training (non-singing) with Flloyd Kennedy. Tara has had 2 years of Classical Indian singing training, but no prior actor training, or working on her speaking voice.




